Ouagadougou, Burkina Faso – The 29th edition of the Pan-African Film and Television Festival of Ouagadougou (FESPACO) reaffirmed its role as Africa’s premier film event. With a lineup showcasing bold narratives and creative diversity, the festival stood as a bastion of artistic freedom amid growing concerns over censorship and political constraints.
One of the festival’s most talked-about films was All Colours of the World Are Between Black and White by Nigerian director Babatunde Apolowo, which sensitively explores a same-sex relationship in modern Lagos.
Another standout was Les Invertueuses by Chadian filmmaker Chloé Aïcha Boro, which challenges societal norms by portraying an older woman’s right to love and a young girl’s fight for autonomy, sparking intense debate on gender and tradition.
FESPACO’s selection committee, led by figures like Pedro Pimenta, emphasized that artistic merit remains the sole criterion for film selection, resisting political, moral, or religious pressures. The festival continues to serve as a crucial platform for African filmmakers to share their stories, with emerging talents proving that cinema remains a powerful tool for social critique and cultural preservation.
Looking ahead, the 30th edition of FESPACO, set for 2027, is expected to build on this year’s legacy of fearless storytelling. As filmmakers and audiences depart, they carry with them the hope that African cinema will keep challenging boundaries and amplifying voices that demand to be heard.
